The LPK25 or “Laptop Performance Keyboard” is a very portable 25 key USB midi keyboard with built in arpeggiator. Even though the keys arnt full sized I still found it very usable for working out quick melodies and bass lines. Here I go into detail with the arp option to show you it actually gives you quite a few options and even better it can sync to you DAW’s midi clock. If your interested in the 8-bit sounds in this episode check out the awesome free 8bit plugin: Magical 8bit Plug IN THIS ISSUE: PASIC 2015, New Concert Music for 2016, November Mixtape, PASIC "Must-See" Events, Rick... … New Concert Music for 2016! As a percussionist with great taste, you're always looking to outdo yourself. IN THIS ISSUE: The Tapspace Mixtape, more new releases, Rick Dior's "Broad Strokes" videos, Let Them Drum!... … Announcing BROAD STROKES snare solo collection We are absolutely thrilled to announce  Broad Strokes , by  Rick Dior , a collection of snare solos for... …

Other upgrades: All plug-in automation is now time-stamped, and you can write automation while a track is in input or recording. Avid improved the responsiveness of fade-heavy sessions last time around, and you can create long-format projects via a 24-hour timeline. Pro Tools 11 is now Retina Display-enabled for the latest 13-inch and 15-inch MacBook Pros. The new Satellite Link feature synchronizes up to 12 Pro Tools installations, including HDX, HD/TDM, and native. Even the click track plug-in gets a makeover for AAX. A number of smaller UI enhancements let you create new tracks by double-clicking, bypass sends and inserts with new commands, and organize your media for a project faster with a new browser, which now previews sound effects files directly for film, game, and TV post-production. The built-in Avid Video Engine now builds in some of Media Composer; it lets you edit multiple HD video formats, including RED and Avid DNxHD, from within Pro Tools without transcoding. It also works with Avid Mojo DX, Avid Nitris DX, and a variety of AJA and Blackmagic Design video interfaces for monitoring DNxHD and QuickTime video.

Interface, Recording, and Editing If you've never worked with Pro tools before, it's easy to get your head around. The main interface has two main windows: Edit and Mix. The Edit window handles all recording, arranging, and detailed audio and MIDI editing. If you've used Pro Tools in the past, you already know audio editing is as precise and seamless as you could want. From loop recording, to sample-level editing, to comping together tracks, you can quickly assemble and edit a performance with the combination Smart Tool cursor and apply crossfades—all within the main Edit window. Clip Gain lets you adjust volumes on the fly using a pop-up volume slider, without having to install Gain plug-is or manually add automation data everywhere. And Beat Detective picks up grooves in audio tracks, letting you fix timing issues across multiple instruments. Avid improved Pro Tools' MIDI capabilities considerably a few versions ago, but there's not much new in version 11. The pop-out MIDI Editor window, introduced in version 8, lets you handle most of the detail work.

There are still plenty of minor issues, such as the need to switch cursor tools more often than you do in other sequencers, just to perform basic operations like lengthening MIDI notes and selecting multiple notes. There's a combination tool, but I found I still couldn't use it exclusively even for basic touch up work without some head scratching. Puli Puppies For Sale In NcIt's odd that the editor always shows the entire MIDI track, even when you just want to edit a small clip.Graco Car Seat Replacement Visor Coming back over from Logic Pro X, I really missed that program's ability to set minimum and maximum velocity levels on a MIDI track; Staffordshire Bull Terrier Puppies For Sale West Midlandsthere's no way to do that easily in Pro Tools.

Officially, there are also no instrument track presets, which would make it easy to save preferred virtual instrument plug-in chains; every other big-name DAW has this capability in one form or another. I say "officially" because there's a well-publicized hack that enables a feature called Track Presets, which presumably is something Avid was working on, never finished, and then left the code in anyway. I wouldn't trust anything like this for professional work, but it's there if you're interested. The built-in Score Editor is derived straight from Sibelius (which Avid acquired in 2006), and you can export Pro Tools sessions as Sibelius files (.sib). Note that the score editor included in Pro Tools still lacks enough symbols for preparing professional printed scores, even though the engine is Sibelius-based, but it can print out basic notation parts in a pinch. The Mix window remains a fabulous place to work, particularly if you have one of Avid's awesome control surfaces, but even just with the mouse cursor.

The Mix window displays all of your tracks in a mixing board style—and one that's closer to the real thing than Logic, Cubase, and SONAR, particularly when it comes to the way Pro Tools handles aux busses, sends, and returns. You can grab and automate any parameter anywhere across any track. Plug-ins and a Few Quirks Avid bundles Pro Tools 11 with over 70 plug-ins, spanning virtual instruments, mixing effects, processing, and utility plug-ins, along with an 8GB Big Fish Audio sound library and thousands of patches to get you started. You get Boom, a sequencing drum machine; Mini Grand, a modeled grand piano with several sounds and reverbs, plus variable dynamics via a single knob; DB-33, a tonewheel organ with a rotating speaker; Structure Free, which plays back sample-based instruments; Xpand2, a multitimbral workstation plug-in, and Vacuum, a monophonic "vacuum tube" synthesizer. You also get plenty of AIR effects that cover all the major bases when mixing, in addition to the aforementioned Avid Channel Strip.